As I learn more and more about Alchemy and how it is weaponized against us by the elites, I didn’t think I had the ability to be surprised anymore. But surprised I was regarding Assassin’s Creed.
Once again, this pop film received the requisite bad reviews from the “reviewers” with many fans of the video game (on which it is based) disappointed. Many stated that the story is nonsensical. They are right. It is nonsensical and what story there is, is very 1 + 1 = 2. However that simpleton story is only for the ones who don’t know the symbols. When you read the symbols, the story becomes one of war. A war between two factions of elites. One side wants to keep the status quo, the other wants to create change. This is quite different from the regular one “special boy/girl with special blood/powers” saves the world kind of alchemy. In which we ultimately celebrate such a character as a Royal Ubermensch. Instead the elites have cast their hero as the underdog. In this film, the philosophical child is the true “special” elite, a small group working against other elites who have lost their way. The film is created in such a way that it invites the viewer to identify with the philosophical child of this story. But make no mistake. NONE of the characters in this film are about we the little people. And if there are such characters, than we are mere foot soldiers of the bad “elites” that the hero is fighting against.
Eagle Soaring High
The continual shots of the eagle are not just filler. It is an alchemical symbol of the stone matter being transformed from the blackened state of the Nigredo and transforming into the white spirit of Albedo. According Lyndy Abraham’s A Dictionary of Alchemical Imagery, she states “The high-flying eagle is also a symbol for the initiate who has spiritualized the earthly serpent or scorpion, the power of the instinctive urge in man”. Interspersed shots of Fassbender’s character Callum Lynch. Also note that the lead character’s name Callum means Dove. Which is another Alchemical symbol representing the Albedo or purified stage of Alchemy. His last name Lynch means ship. Yet another symbol representing the container that Alchemists used to create the stone. Alchemists called their lab flasks, ships. There was a two fold meaning because when creating the stone, the alchemist submerged it in water called dissolution which purified the stone matter. So the film also shows Callum being submerged in water at key moments. It is even more important that the character is submerged in the ocean or salt water which nurtures the stone.
As in more conventional alchemy tales, we see that Callum is made an orphan. Because alchemy states that the stone is born when its parents die. Only then can it be guided by the Alchemist.
Sapentia, the Soror Mystica
The alchemist in this film is not Jeremy Irons character Rikkin (In Finnish the when written as Rikki means Sulphur). Irons’ character is old man Saturn, the old King. Saturn oversees the Nigredo/death stage of the work. Hence Rikkin is taciturn, cold and calculating. He is what must be cut away and cleansed. But who must he be cleansed from? It isn’t Callum Lynch but his own daughter Sofia. Sofia is the alchemist in this tale. She is the one developing her stolen inmates, her many philosophical children in waiting. Her name means Wisdom. Wisdom in Alchemy is represented by Sapentia, the white woman, the Queen or Luna who is the soul mate to the Red Man (Cal). This is why we see Sofia dressed in variations of white. While the love story between Cal and Sofia is only hinted at, the film does reveal her character in one of Cal’s apotheosis vision. However she doesn’t seem to be the lost love in Cal’s ancestral visions. That woman, named Marie a variation on the Alchemical Bain Marie another symbol of dissolution and purification of the Albedo stage. However it is Sofia we always see by Cal’s side when he is submerged in water, symbolically representing the bath of the King and Queen. Together, they bring down Saturn or the Dragon. Sofia stands aside when Cal finally hunts down Rikkin, therefore fulfilling the alchemical image of the brother and the sister killing the dragon together.
The Apple of Eden?
The naming of the ultimate object everyone wants was two-fold. In the conventional story line it harks back to biblical imagery and nods to the inverted Christ symbolism of Cal. Of course, it wouldn’t be a contemporary sci-fi if they didn’t refer to Daniken’s “Chariot of the gods” mythos. Why are the elite so fascinated by this alien seeding story? Well, more on that later. There is however a deeper meaning to the Apple. Alchemists constantly refer to philosophical stone in their stories as the Apple of Hesperides. They also used references to the Greek myth of Atalanta and Hippomenes by equating them with the Red King and the White Woman. Maier’s Atalanta Fugiens uses the myth to equate Atalanta to mercury who must be captured and tamed. Although we are to think that Sofia is taming Cal, really it is the other way around. Since she is Atalanta to his Hippomenes. The control of the apple in this film is not about free will. It is about the control of knowledge of their esoteric belief system.
Elite Vs. Elite – The Old Guard vs. the Breakaway Sect
There are no “good guys” in this film. The elite portray themselves as a squabbling mass. Which could be true. But I more think that they are worried that the masses are becoming aware of the machinations, their mythos and their “creed”. The old kid becomes a wizard story just wont’ cut it anymore. So now the story is changing. They are saying that there are two groups among them. One that is for the old guard. The ones who control society and want to genetically experiment on humanity. The ones that would like to see humanity die out only leaving them, the “ascended ones”. The reason why they love Daniken’s fairy tales is because they feel they are an “alien” race. They are just so much better than humanity and not even OF humanity. The film calls them the Knights Templar. Which I find interesting because up until the late 90s, the Templar were portrayed rather benignly in films and books. But now they are Arch Villains, the controllers of society. The breakaway sect calling themselves “Assassin’s Creed” are for free will. But free will for whom? It looks as if it were just for themselves. Which is backed up by their Crowleyan “Do what thou wilt is the whole of the law”-esque mantra which turns into “Everything is Permitted” and “We work in the dark to protect the light”. Rather Satanic, don’t you think? Also note this breakaway sect portray themselves as Muslim. Which fits into the current diversity or die mindset that has been unleashed upon Europe. This breakaway sect is declaring that they are turning their backs on Christian Europe, Christian Elites and the old guard. That they are now Muslim or at the very least “protect” them. Indeed the fall of the Caliphate in Spain is portrayed in this film as some great tragedy, some fall of the golden age when it was anything but halcyon.
In 1944, the esotericist Manly P. Hall (author of The Secret Teachings of all Ages), wrote a book called The Secret Destiny of America. In that book, he posited that Christopher Columbus was a Knights Templar and also had dealings with the Knights Hospitaler. What a change in the elite mindset between then and now! This film is now changing that narrative (if it was ever true at all) to state that Christopher Columbus was not a devout Christian nor followed an elite esoteric Church group, that he did not find the Americas as a will of his Catholic faith but he did it for apostasy, he did it because he loved the fallen Caliphate, he did it to protect the serpent’s apple of knowledge.
The New Esoteric Narrative
I suspect we will see more of this new alchemical narrative. The story of good vs. bad elites. A flim-flam so they can say, “Oh no, we aren’t the ones who wanted globalism or rule over everyone with a new form of feudalism. We wanted you to keep your free will.” HA! You see these elites are rather superstitious. They require our consent. I suppose they don’t want karma biting them in the butts. So they write/film their stories and propaganda in symbols and put it in plain sight. It is there for all to see. Keep watching, keep learning.
Books used for this essay:
Lyndy Abraham A Dictionary of Alchemical Imagery
Manly P. Hall The Secret Destiny of America